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STUFFOccasionally we find ourselves presented with information that is not easily categorized. Information that can be informative, outrageous, funny (intentionally or unintentionally), uplifting, or useless (Our estimates show a 79.3% probability that the latter will be the case). Information that we just feel MUST be shared, whether the sharee asks for it or not. In a word--Stuff.Stuff has no limitations. It has no time schedule, no definitive subject matter, no set point of view, or any one author. Its just Stuff. NOTE: All that copyright blah, blah, stuff you see in other places where folks share ideas by putting finger to keyboard applies here. Anyone wishing to reproduce any stuff found here (Yes, I know. I can't think of any reason someone would want to do that either) must get permission from the author etc, etc... Until we get enough Stuff to start organizing it on separate pages it will all be on this page ordered by date latest to earliest.So, here's some stuff. |
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PLAYING POSSUM by Mike Kilian Posted 11/15/02 So there was this short lob and Martina Hingis was zeroing in on it. The player on the other side of the net was doing exactly what conventional wisdom dictates: she waited in the middle until right before Hingis hit the overhead and broke left or right, I forget. The point is that she had a 50-50 chance of guessing right, unless, of course, the over header hits right down the middle. Any time your opponent has a chance to hit a winner like this, there is a sneaky way of controlling the situation . Play possum. With your opponent about to hit an overhead, stand over to one side or the other and look defeated. You are showing your opponent an obvious opening. Then break to the opening as the overhead is hit. Chances are your opponent will take the bait and you will at least have a shot at the ball. The possum attitude can be used in any situation where you can show your opponent an obvious opening then cover it as they make their shot. Here’s an example. Let’s say one of your doubles opponents can really nail the forehand down the line. You’ve been burned a few times so you hug the alley to prevent it. But that takes you away from the action in the middle of the court. What to do? Play possum. Drift toward the middle and show your opponent the opening for his favorite shot. Then cover the opening just as he hits his shot. If it works, and you hit a winning volley, keep doing it until your opponent is afraid to try it. You just took away one of his favorite weapons.
Three Excerpts From Aaronville Dawning A One Woman Play Written by Linda Byrd Kilian Posted 9/07/02
Note From Mike: Linda is my sister-in-law. She originally wrote Aaronville Dawning in poetry form, organized by the different characters living in Aaronville, MS. That's the version I have posted here. Any comments or feedback should be addressed to aaronville@aol.com
Preface (Part of a Press Release from a Montgomery Newspaper)
The state of Mississippi will shine this January in Montgomery, Alabama, when AARONVILLE DAWNING, by Mississippian Linda Byrd Kilian, premiers at the Vesta Festival of the Southern Writers’ Project of the Alabama Shakespeare Festival. The one-woman play received a Literary Arts Fellowship for a play-in-progress from the Mississippi Arts Commission for 2001-2002 and was workshopped at the Alabama Shakespeare Festival as part of the Southern Writers’ Project where it was commissioned for full production. The Southern Writers’ Project, created in 1991 by Kent Thompson, explores and celebrates the South’s rich cultural heritage by encouraging new works dealing with Southern issues and topics, including those that emphasize black experiences. AARONVILLE DAWNING revolves around an elderly woman who, while preparing funeral food for her friend Beasley, dishes the dirt on the people in Aaronville, Mississippi, while keeping her own secret--secret. Kilian recently read excerpts from her play at the Ford Foundation in New York. “I worried that the play was too Southern for New Yorkers, but I was wrong. Apparently, everyone has a town like Aaronville in their past filled with the same type of people.”
SAMMY
Used to Miss Annie Mae and I fixed baby food There wasn’t a baby born in Aaronville That didn’t get welcomed home By my chicken-and-dumplings And Miss Annie Mae’s sour cream pound cake That was before Ora Faye gave her that damn hot chicken salad recipe Course, when Sammy was born Miss Annie Mae and I had to fix food for weeks That boy almost killed Hattie Sammy was born breech Miss Annie Mae swears breech children Bring their mothers grief And Sammy was Hattie’s grief walking From the time he was a little thing , he was into it all Flowerbeds, drawers, purses, cabinets, Anywhere you didn’t want him Was where Sammy was Everybody hated to see Hattie come Her other boys were fine But then there was always Sammy Lagging behind Looking sneaky Waiting to do Something to somebody When he was six, He sneaked into his Grandmother Ellis’ pig pen And put rubber bands around the snouts of all her piglets All eleven of them Granma Ellis found them dead in the pen With the old mama sow laying beside them Grieving And all them pigs All eleven of them Stiff as boards and still wearing Them big ole brown rubber bands. Grandma Ellis whipped Sammy good for that Hattie did, too But nothing Hattie did helped And that good-for-nothing she married Was no help to anybody Sammy was about twelve, I guess, When he tied up the Evans boy Tied him up in old man Amos’ field The one with the pond on it Tied him up and left him there Carl Evans had everybody looking for that boy All that day and half the next, they looked And there he was tied up on that east field They took him to the house Rachel and Rebecca tried to calm him down, But all he could say, was, “Sammy..he..Sammy...he” Big Clyde took Sammy to jail for that one Put him in a cell and left him a day-and-a-half Tied up Just like he left the Evans boy It didn’t help Sammy was Sammy. We all told Hattie he’d grow out of it Sammy was just feisty, that was all But Hattie knew She knew Sammy would grow into more Than he ever grew out of Sammy wasn’t all bad, though, Nobody ever is I will say one thing about Sammy No matter what he did Or how many people they say he killed That boy loved his mother They tracked him here from * Parchman twice, Once on Hattie’s birthday And once on Mother’s Day.
------------------------------------------ # Parchman: Mississippi State Prison
ELDON McHENRY
Mama always said I was a fighter Not like Rachel and Rebecca, of course But anybody coming into the world Weighing only 22 ounces has to be a fighter I guess Today, A baby like that would be hooked up To all kinds of machines But in 1913 there were no machines Mama raised me in the dresser drawer Made me an incubator by heating bricks in the fireplace Wrapping those bricks in towels And putting them in the drawer with me She used old whiskey bottles, too Said Eldon McHenry loaded her with whiskey bottles She’d boil water Fill those whiskey bottles with hot water Wrap them in towels And sorta wrap me around them bottles She turned me, too Every hour Miss Essie, Miss Annie Mae’s mama, Warned everybody not to touch me Said touching me would bruise me So they used towels to turn me with Mama said Eldon brought her a new bottle every day Guess he thought she needed a fresh bottle every day She didn’t have the heart to tell him any different He’d stagger by every morning Presenting Mama with a new bottle Like he was presenting her with medicine or something He asked about me every morning, too Asking if his bottles were helping I was about eight when Eldon got saved He went from drinking a bottle a day to nothing Just like that A preacher came to town, held a tent revival, And old Eldon walked down that sawdust aisle for salvation It was a shouting time Even at Carr Baptist Everybody knew Eldon was bad to drink From then on He testified every chance he got Told everybody who’d listen How God used his sin to save a baby’s life That was when he would point to me And I would stand Mama made me I used to hate it But it did kinda make me famous Whenever anybody was bad to drink They would bring them to Carr Baptist To hear Eldon’s testimony About how whiskey bottles saved a baby’s life Mama never had the heart to tell Eldon She only needed two bottles And that daddy buried all those others behind the smokehouse It would have ruined his testimony
SWEETS JACKSON
I always wondered if Sweets Jackson Ever gave to Oral Roberts If she did, she never got healed Sweets Jackson was club-footed She was Belle’s cousin’s child Lived in Vicksburg Down on Levee Street She didn’t have much education Most of them didn’t back then But Sweets had a business mind Belle used to say That child could count money better Than any grown person she ever saw When she grew up Sweets counted plenty of money And all of it, she made herself Girls would come from as far away as Memphis Course, There were other people who did what Sweets did Memphis was filled with them The difference was Sweets’s girls never died Sweets charged twelve dollars Black or white was the same She never charged whites more or Nigras less When Charlie Drummond ran for mayor of Vicksburg He tried to close Sweets down Charlie was planning on a big political career Planned to one day be governor Was going to make a big splash By closing Sweets down He told her, too Warned her Said she was going to be shut down By the future governor of Mississippi Belle said Sweets just smiled Went into the back room And got her journal The name of every girl who ever visited Sweets Was in that journal Each one With $l2 printed neatly in the cash column She told Charlie Drummond If he tried to close her down She’d go to the VICKSBURG HERALD Surely someone there would be interested in names Names of senators’ daughters, Judges’ daughters Doctors’ daughters All coming to Sweets All coming for the same thing All paying their twelve dollars Charlie Drummond said He didn’t care about senators or judges That right there Should tell you somethng about Charlie Drummond Everybody in Mississippi knows You better care about senators and judges If you want to get elected Charlie Drummond said he was going to be mayor And then he was going to be governor And closing down Sweets Jackson was the first step Charlie Drummond never took that first step Oh, he was going to, all right Right up until He saw his daughter’s name in Sweets’s journal With $12 printed neatly in the cash column Sweets couldn’t have gotten away with that in Aaronville Big Clyde wouldn’t have allowed it He was Catholic, you know
WATER AND TENNIS DON’T MIX Mike Kilian 8/17/02 There you are in the middle of the State Championships. Its 1:30 Saturday afternoon and your third round match against the #1 seed (How did they rate the #1 seed? You know you can take them!) is scheduled at 1:45. You’re psyched, you’re wearing your lucky blue outfit with matching socks, wrist bands, and towel, your water jug is full, you ate a banana at noon. You are ready. Suddenly you here multiple cannon blasts behind you. You turn and look up just as the rain comes gushing down on your brand new Nike hat. Oh no...RAIN DELAY! So there you are, stuck in your highest state of readiness watching the courts dry. What’s the answer? Get out there and help dry the courts! Get one of those roller thingies (They are NOT squeegees as some people insist on calling them, they are roller thingies) and start drying. Rolling the courts will give you something to do besides fretting about your match. It is also better to be moving and loosening up than sitting around getting stiff. But wait! Is there a proper method of using your roller thingy? Yes! This is the method I find works best. Start in the middle of the general playing area on one side of the court. Usually that will be about two feet behind the service line. Place the roller thingy on the court and begin rolling in a spiral. Continue in a circle making it bigger as you go. If you are doing it correctly, you are keeping the excess water on the outside of the circle as you create a larger and larger area. What you are doing is creating a central dry area while pushing the excess water to the sides where it will be easier to roll off the courts. If you have a partner, its better to do both sides of the court at the same time. If not, do the "top" side first. Most courts are made with a slight slope to one end or the other. For advanced level rollers, as you get closer to the net and baseline with your circle, kind of square it off in more of a square down the sidelines, the baseline and net. This will make rolling the excess off the court easier. Now, this is the first stage of drying just after the rain stops when the court is still covered with water . We can’t be everywhere at once so there are courts that haven’t been "circled", and now have dry spots and puddles. The thing to do on these courts is spread the puddles out. The best drying machine available is the court itself. Just keep contact with the court and roll through the puddles and dry spots to spread the water around. Remember, never leave a roller thingy on the ground when you are done. always hang them up. Good job. While you were wielding your roller thingy, your overconfident opponent was sitting around in the clubhouse reading magazines. As you walk to the court your muscles are warm and limber, and you are buoyed with a sense of completing a job well done. Today the #1 seed is going down! MK |
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